By Charles C. Moul
This brief instruction manual collects essays on all points of the movie via prime professionals in political financial system, economics, accounting, finance, and advertising and marketing. as well as bringing the reader an updated standpoint on what's identified and what has been complete, it contains either new findings on a number of issues and instructions for extra examine. subject matters comprise estimation of theatrical and ancillary call for, profitability stories, the solution of glaring paradoxes in studio government habit, the interplay of the and executive, the affects of the latest alterations in accounting criteria, and the position and value of participation contracts. New effects comprise findings at the real nature of the seasonality of theatrical call for, the predictive strength of surveys dependent upon trailers, the effect of the Academy Awards, the efectiveness of past heritage measures to gauge solid individuals and administrators, and the substitutability of films throughout diverse genres.
Table of Contents
1. Critiquing Hollywood: the political economic system of movies Janet Wasko
2. movie creation within the electronic age: what can we learn about the previous and the long run S. Abraham Ravid
3. motion picture accounting Harold L. Vogel
4. Theatrical releases and the launching of films Charles C. Moul and Steven M. Shugan
5. the flicks exhibition company: serious matters, perform, and learn Jehoshua Eliashberg
6. earnings out of the image: learn concerns and profit resources past the North American field workplace Charles B. Weinberg.
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Extra resources for A Concise Handbook of Movie Industry Economics
332–70. xml CB784-Moul 0 521 84384 7 April 22, 2005 14:28 Critiquing Hollywood: The Political Economy of Motion Pictures Compaine, Ben, ed. 1982. Who Owns the Media? Concentration of Ownership in the Mass Communications Industry, White Plains, NY: Knowledge Industry Publications. Conant, Michael. 1960. Antitrust in the Motion Picture Industry; Economic and Legal Analysis, Berkeley, CA: University of California Press. Cones, John W. 1996. The Feature Film Distribution Deal: A Critical Analysis of the Single Most Important Film Industry Agreement, Carbondale, IL: Southern Illinois University Press.
It is apparent to many political economists that cultural studies, whether centered on film or other areas, offer important insights that are crucial to understanding the reception of film and its ideological significance. As critical film analysts come to an awareness of the significance of political economic grounding, productive links might be made to integrate research, policy efforts, and other practical activities. Political economists have been accused of ignoring film audiences. Hagen and Wasko (2000) deal with this issue in a volume that includes both reception analysts and political economists discussing issues relating to audiences and consumption.
Revenues divided by the budget. Independent variables include dummy variables for ratings (G, PG, PG13, R – the default is nonrated films), dummies as to whether participants had received Academy Awards (AWARD), whether cast members could not be found in standard film references (UNKNOWN), and whether a cast member had participated in a top grossing film (NEXT). Additional variables include the log of the budget of the film (LNBUDGET), the number of reviews (INDEX4), the percentage of non-negative reviews (INDEX1), and a seasonality variable (RELEASE).