Monica Latham (auth.)'s A Poetics of Postmodernism and Neomodernism: Rewriting Mrs PDF

By Monica Latham (auth.)

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Extra resources for A Poetics of Postmodernism and Neomodernism: Rewriting Mrs Dalloway

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Time and its delimitations are prospectively planned and constitute the solid armature of the novel: Eleven o’clock strikes. This is the aeroplane hour. wh. covers both Septimus and Rezia in Regents Park. & Clarissa reflections. & Cla which lead to 12 o’clock: interview with specialist. (Notebook, Berg Collection, Wussow 416) At this stage, Septimus’s wife, Rezia, is conceived in the Regent’s Park scene with the specific aim of becoming Septimus’s anchor in the grounded reality of everyday life:32 contrary to Septimus, who is a constant prey to his visions, more and more absorbed in his imaginary world, and thus disconnected from reality, Rezia connects him to the external world.

Septimus Smith looked at the table cloth, fixedly, for it seemed to him of astonishing whiteness. The silver vase with the leopard’s head holding a ring in its mouth flashed silver. The abuse of the Prime Minister to which he had listened seemed connected with the brilliant cloth and the flashing silver and the sense which welled up in him of his own astonishing insight and importance. ) His heart was beating very fast. Everything had become like the cloth and the silver, bright and close. But unless something firm restrained his heart it would burst, fly asunder into pieces.

The dynamics of the narrative point of view and its shifts from one character to the other are envisioned in detail in her notebook: from Clarissa, the narrative is to move onto Septimus, then embrace both of them during the aeroplane episode, then go back to Clarissa and closely focus on her intimate thoughts. The writer describes these precise changes of focalisation in cinematic or theatrical terms, like a stage 32 A Poetics of Postmodernism and Neomodernism director who gives instructions about shedding light on one character or another at key moments of the play.

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