Get After Effects @ Work: DV Expert Series PDF

By Richard Harrington

Real-World advertisement tasks awarded in complete colour characteristic the paintings of well known artists, Chris and Trish Meyer, Jayse Hansen, Mark Coleran, Ken Locsmandi and others. The tutorials are advertisement tasks that the artists created for a consumer price range of $10,000 or much less, utilizing simply the plug-ins that include the software program. distinctive concentration is given to the basic recommendations which are very important to beginner movement picture artists. The spouse DVD comprises the resource records required for the reader to duplicate the strategies in addition to Apple QuickTime displays of the ultimate initiatives. The initiatives conceal quite a lot of useful functions together with broadcast animation, big-screen movie trailers, track video compositing, trade exhibition shows, DVD menu pics, and cel animation with Flash. * Real-World tasks from 11 movement photos execs * learn how to harness After results' strong toolset * spouse DVD contains all resource records so that you can re-create the tasks

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This way you’ll have both for your DVD authoring application if needed. ) Real World Setup 35 » DIFFERENT DVD APPS REQUIRE DIFFERENT HIGHLIGHT LAYERS. YOURS MAY WANT A WHITE ON BLACK IMAGE OR THE INVERSE. BE SURE TO READ UP. Where does the motion graphic artist fit into the DVD process? As the menu designer of course! While many people settle for built-in templates or stock backgrounds, that often won’t cut it. Making your own custom backgrounds is essential as you build your reputation and client base.

Head to the Document Properties dialogue (Modify>Document). Since Flash doesn’t support nonsquare pixels, set the Dimensions to 720X534 for final output to NTSC DV (or 720X540 for output to NTSC D1). Then set the Frame Rate to 15 or 30fps. The important thing is that you use a frame rate that After Effects can smoothly translate for video. 10 » THE DOCUMENT SETTING FOR DV Most animation for television shoots in twos or more, so every drawing is shown on screen for at least two frames. Choose 15fps ACTION-SAFE AND TITLE-SAFE GUIDES IN FLASH and you deal with half the frames in Flash (and half the mess).

Move ahead one or two frames, when Lucid’s grounded foot has moved back. Is the spatial relationship the same with the foot and the landmark? If not, fine-tune the key frame until the relationship is consistent. Render another RAM Preview with Motion Blur enabled and watch closely. ) Did you catch it? The Motion Blur creates a seam where the two backgrounds connect. To correct this, move to a point in the cycle where the seam is centered in frame. Then nudge the child with right arrow key until it’s once again seamless.

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