An Introduction to Literature, Criticism and Theory by Nicholas Royle, Andrew Bennett PDF

By Nicholas Royle, Andrew Bennett

This booklet provides the major severe options in literary stories at the present time, averting the jargonistic, summary nature of a lot `theory'. The authors discover an important concerns in modern feedback and thought via focusing heavily on quite a number texts, from Chaucer to Achebe and from Milton to Morrison. 

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20 An introduction to literature, criticism and theory author. You really can be drawn into the feeling that the author is ‘a terrific friend of yours’ or that your appreciation and understanding of an author is so intense it touches on the telepathic. Holden’s reference to getting on the phone to the author is uncannily apposite: the rapport that exists between you and your favourite author is indeed a sort of linguistic tele-link. The author is an absent presence, both there and not there. You may feel that you understand like nobody else what it is that the author is saying; and you may be willing to acknowledge that this author can express your opinions, thoughts and feelings as well as or even better than you yourself could.

Poststructuralism (including new historicism, feminism, deconstruction, postcolonialism and queer theory) consistently undermines the very terms of this text–world dichotomy. qxd 13/05/2004 14:44 Page 28 . 28 An introduction to literature, criticism and theory expresses, it does so not in so far as it is an imitation and duplication of things, but in so far as it manifests . . the fundamental will of those who speak it’ (Foucault 1970, 290). Poststructuralists ask what it means to say that a literary text is different from, separate from the world.

Qxd 13/05/2004 14:44 Page 31 . The text and the world ignore – the extent to which political, social, economic and historical forces are bound up in language, in discourse, in representation. Some of these points may become clear if we take a closer look at a few details of Marvell’s poem. The poem explicitly plays upon an opposition between text and world. It begins by claiming that if there were ‘world enough, and time’, the speaker would spend many hundreds of years praising the woman’s beauty.

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